Smoking in Italy

Smoke break, Milan (Flickr/vanz

Smoke break, Milan (Flickr/vanz

A lot of Italians still smoke.

This is hardly a newsflash for many. I have always known that Italians are more relaxed (than Americans, for example) about smoking. But it is still a surprise coming from a culture where smoking is stigmatized to where it is not necessarily expected but accepted across many generations.

Italy imposed a national smoking ban in public places in 2005–the fourth country in the world to do so–but that still hasn’t done much to curb tobacco consumption. While the insides of buildings, restaurants, and workplaces are smoke-free, Italy’s outdoor public spaces are rarely without a whiff of smoke. Bus stops, flea markets, parking lots, courtyards, balconies, and sidewalk cafes are all prime spots for sneaking a smoke.

Italy also makes it easy to smoke and keep smoking. The Tabacchi shops are still necessary for everyday errands, e.g., paying utility bills and buying bus tickets and passes. Paying your phone bill? Why not buy some cigarettes while you’re at it? No one will bat an eye.

When I walk around Rome, I still think it’s weird to see well-to-do couples sitting at an outdoor cafe, each with a pack of cigarettes on the table. Also odd (and unfortunate) is seeing several generations of one family sitting around an outdoor table smoking together. I cringe when I see parents smoking around their young children and babies.

Even though the air is smokier here, there is something refreshing about Italy’s nonchalance towards adults who smoke. There is very little social shame associated with smoking.

I was thinking about all of this the other day when I happened upon an appropriate passage from an Umberto Eco short story. In the 1991 story “How to Travel on American Trains,” one of many essays in How to Travel with a Salmon, Eco describes how, in America, those who smoke are social outcasts. And yet, when Italians smoke in America, they (and their habit) are treated differently.

Among the poor, too, there are those who cannot manage to abandon the ultimate symbol of marginalization: they smoke. If you try to climb into the one smoking car, you suddenly find yourself in the Dreigroschenoper. I was the only one wearing a tie. For the rest, catatonic freaks, sleeping tramps snoring with their mouths open, comatose zombies. As the smoker was the last car of the train, on arrival, this collection of outcasts had to walk a hundred yards or so, slouching along the platform like Jerry Lewis.

Having escaped from this railway hell and changed into uncontaminated clothes, I found myself having supper in the private dining room of a faculty club, among well dressed professors with educated accents. At the end, I asked if there was somewhere I could go and smoke. A moment of silence and embarrassed smiles followed, then someone closed the doors, a lady extracted a pack of cigarettes from her purse, others looked at my own pack. Furtive glances of complicity, stifled laughter, as in a striptease theater. There followed ten minutes of delightful, thrilling transgression. I was Lucifer, arrived from the world of shadows, and I illuminated everyone with the blazing torch of sin.

A Tour of Rome’s Jewish Quarter

Marble tiles in the Jewish Quarter of Rome

 

“It’s impossible to do this tour or any other tour chronologically.”

This was one of the first things Lauren, a guide for the walking tour company Context Travel, told us as we stood in Largo Arenula, our starting point for a historic walk of Rome’s Jewish Quarter and Trastevere. In addition to Lauren, a British scholar who has studied the art, history, and culture of Rome for the better part of two decades, my group consisted of a quiet, young couple and a young, single woman. Context had invited me to be a guest on one of their tours and I chose to take this one as it was an area I knew the least about. I liked the idea of going on the tour as more or less a blank slate. I wanted to learn something.

At this point, I should back up and say that I have studied Rome, its landmarks, art, history, and neighborhoods for more than 15 years. Before that, I worked at an institute for German Studies and interned at the United States Holocaust Memorial Museum. Even with this specialized knowledge, I’ve always found it difficult to find information about Rome’s Jewish heritage. Most guidebooks give it short shrift, which isn’t surprising; there are too many layers here to cover any one topic in detail. But I would venture to say that the story of the Jewish people in Rome is one of the few threads that weaves together the story of this city in a way that is both historically comprehensive and personal.

Following are just a few of the sites I learned about on the three-hour tour. Continue Reading →

Upcoming Fundraiser at the Sistine Chapel Turns Heads

Sistine Chapel

Each day, as many as 20,000 visitors pay up to €16 per person to enter the Vatican Museums, the highlight of which is the Sistine Chapel. This coming weekend, reports Crux, approximately 40 fans of German automaker Porsche will get to pay up to €5,000 each to take a private tour of the Vatican, which includes dinner in the museums and a concert in the famous chapel.

Porsche has advertised the event on its website as the Exclusive Porsche Tour of Rome, which includes these tour highlights:

  • Access to the Vatican Museums outside the official opening hours
  • Magnificent concert in the stylish setting of the Sistine Chapel arranged exclusively for the participants
  • Unforgettable dinner in the midst of the exhibition at the Vatican Museums
  • Visit to the papal gardens at the Vatican and the Necropolis on the Via Triumphalis
  • Porsche Travel Club driving tour (two days) in the southern Lazio region

Meanwhile, Monsignor Paolo Nicolini, the managing director of the Vatican Museums, maintains that the event is the “debut of ‘Art for Charity,’ an initiative to exclusively support the charitable projects of the pope. This initiative is organized directly by the Vatican Museums and is directed at big companies. With the payment of a ticket, they can contribute to financing charity projects.” Nicolini told reporters on October 16 that, “The Sistine Chapel can never be rented because it is not a commercial place.”

The one-off event stands to raise about €200,000—almost half of what the Vatican Museums could raise in a full day off of tourist admissions, with only a fraction of the wear and tear. Artnet added:

“Since his inauguration, Pope Francis has put significant emphasis on the plight of the poor and has gained a reputation for his pragmatic and forward-thinking interpretation of scripture. This latest move may indicate that he is prepared to capitalize on the Vatican’s rich cultural heritage for the benefit of those in need.”

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